{"id":1731,"date":"2014-12-22T20:22:08","date_gmt":"2014-12-22T20:22:08","guid":{"rendered":"http:\/\/www.heretodestroy.com\/blog\/?p=1731"},"modified":"2014-12-23T14:48:45","modified_gmt":"2014-12-23T14:48:45","slug":"top-20-albums-2014","status":"publish","type":"post","link":"https:\/\/www.heretodestroy.com\/blog\/2014\/12\/22\/top-20-albums-2014\/","title":{"rendered":"Top 20 Albums of 2014"},"content":{"rendered":"<p>I had a really hard time narrowing down what my top album would be when putting this list together. I know; I say that every year. But it\u2019s true. There are always will be lots of really good albums to choose from. However usually only handful stand out as something exceptional. It\u2019s those albums that make the decision hard. <a title=\"Steel For Brains - Best of 2014\" href=\"http:\/\/www.steelforbrains.com\/post\/103989943657\/rb-best-of-2014\">Steel For Brains<\/a> bypassed all that this year and simply didn\u2019t rank their top picks at all. Instead they just listed them alphabetically. Right about now I\u2019m thinking that was a smart idea.<\/p>\n<p>Initially this wasn\u2019t an issue at all. <a title=\"The Atlas Moth\" href=\"https:\/\/www.facebook.com\/theatlasmothband\">The Atlas Moth\u2019s<\/a> <em><a title=\"The Old Believer - The Atlas Moth\" href=\"https:\/\/profoundlorerecords.bandcamp.com\/album\/the-old-believer-2\">The Old Believer<\/a><\/em> was hands down the best thing I heard all year. But then <a title=\"Atriarch\" href=\"https:\/\/www.facebook.com\/AtriarchOfficial\">Atriarch<\/a> put out <em><a title=\"An Unending Pathway - Atriarch\" href=\"https:\/\/atriarch.bandcamp.com\/album\/an-unending-pathway\">An Unending Pathway<\/a><\/em> and things got a bit dicey. Both albums were stellar in their own unique way. It seemed like each week I was leaning towards one, then the other. But the year is coming to an end and no matter what order I place things in, it doesn\u2019t change the fact that both bands put out incredible, career defining albums.<\/p>\n<p>I spend about 7 hours a day at work with my headphones on. So you ever walked by me Monday to Friday and wondered, \u201cWhat the hell is he listening to all day?\u201d Now you know. Odds are it was one of these 20 albums.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1743\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Atriarch-An-Unending-Pathway.jpg\" alt=\"Atriarch - An Unending Pathway\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Atriarch-An-Unending-Pathway.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Atriarch-An-Unending-Pathway-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Atriarch-An-Unending-Pathway-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>01. Atriarch &#8211; <em>An Unending Pathway<\/em><\/h1>\n<p>Sometimes it\u2019s kind of embarrassing when you realize how much music you own and haven\u2019t really listened to. With the convenience and affordability of music now, it can be really easy to consume more than you can digest so to speak.<\/p>\n<p>Because of this once and while I stumble across an album on my iPod and realize I\u2019ve had it for quite some time, but never really given it a good listen. A couple of months ago one of those albums was <a title=\"Atriarch\" href=\"https:\/\/www.facebook.com\/AtriarchOfficial\">Atriarch\u2019s<\/a> <em><a title=\"Forever The End - Atriarch\" href=\"https:\/\/atriarch.bandcamp.com\/album\/forever-the-end\">Forever the End<\/a><\/em>. Even though it was released in 2011, it took me this long to give the album the attention it rightfully deserved. Initially I was disappointed that I waited so long to give it a chance, but it actually worked out kind of good because the band was about to release a new album &#8211; <em><a title=\"An Unending Pathway - Atriarch\" href=\"https:\/\/atriarch.bandcamp.com\/album\/an-unending-pathway\">An Unending Pathway<\/a><\/em>. So now I had not one, but two Atriarch albums to dive into.<\/p>\n<p>When I initially listened to Atriarch, my ears picked up on the doomier and heavier elements of their sound. But it was the shades of post punk and goth that really appealed to me. All of which were somewhat subtle on <i>Forever the End<\/i>, but became much more prominent on <i>An <\/i><em>Unending Pathway<\/em>. Resulting in the album sinking it&#8217;s hooks deep into me.<\/p>\n<p>While definitely is heavy, Atriarch belong to the select group of metal bands who understand heaviness isn\u2019t just about huge riffs and screaming. Heaviness can also be established by more subtle elements that give songs a layer of darkness and mood that has more weight than simply being pummeled by riffs. Which is exactly what makes <em>An Unending Pathway<\/em> stand above so many other albums that came out this year. I don\u2019t know what possessed me to revisit Atriarch, but it was a really good decision on my part.<\/p>\n<p><iframe style=\"border: 0; width: 80%; height: 373px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4033392575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/atriarch.bandcamp.com\/album\/an-unending-pathway\">An Unending Pathway by Atriarch<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1741\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Atlas-Moth-The-Old-Believer.jpg\" alt=\"The Atlas Moth - The Old Believer\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Atlas-Moth-The-Old-Believer.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Atlas-Moth-The-Old-Believer-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Atlas-Moth-The-Old-Believer-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>02. The Atlas Moth &#8211;<em> The Old Believer<\/em><\/h1>\n<p>Like many great albums, <em><a title=\"The Old Believer - The Atlas Moth\" href=\"https:\/\/profoundlorerecords.bandcamp.com\/album\/the-old-believer-2\">The Old Believer<\/a><\/em> is a grower. Yes, there are things that stand out right away and grab you. But much like Atriarch&#8217;s <i>An <\/i><em>Unending Pathway<\/em> it\u2019s the more subtle elements in the songs that make the album really stand out. Where 2011\u2019s <em><a title=\" An Ache For The Distance - The Atlas Moth\" href=\"https:\/\/theatlasmoth.bandcamp.com\/album\/an-ache-for-the-distance\">An Ache for the Distance<\/a><\/em> was bold and immediate, <em>The Old Believer<\/em> sneaks up on you over repeat listens. Each song has it\u2019s own unique personality, but the band makes you pay attention to discover what makes each song unique. Which makes <i>The Old Believer<\/i> a highly rewarding listen as you spend more time with it.<\/p>\n<p>There\u2019s also a strong sense of consistency that runs through these songs that ties them together and makes the album ideal to be experienced as a whole. This carries over to <em>The Old Believer\u2019s <\/em>stunning design and packaging as well, which features an <a href=\"http:\/\/www.digitalartsonline.co.uk\/news\/graphic-design\/how-ryan-clark-designed-atlas-moths-wet-reveal-album-cover\/\">innovative wet reveal album cover<\/a> created by <a title=\"Invisible Creature\" href=\"http:\/\/www.invisiblecreature.com\/\">Invisible Creature<\/a>. Despite what you hear, the art of making an album is not dead and the Atlas Moth is more than capable of showing you why.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2075983772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1780726832\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/profoundlorerecords.bandcamp.com\/album\/the-old-believer-2\">The Old Believer by THE ATLAS MOTH<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1744\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Have-a-Nice-Life-The-Unnatural-World.jpg\" alt=\"Have a Nice Life - The Unnatural World\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Have-a-Nice-Life-The-Unnatural-World.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Have-a-Nice-Life-The-Unnatural-World-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Have-a-Nice-Life-The-Unnatural-World-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>03. Have a Nice Life &#8211;<em> The Unnatural World<\/em><\/h1>\n<p>Before this year I had never heard of <a title=\"Have a Nice Life\" href=\"https:\/\/www.facebook.com\/pages\/Have-A-Nice-Life\/273357312191\">Have a Nice Life<\/a> and I can\u2019t remember how I ended up listening to <em><a title=\"The Unnatural World - Have a Nice Life\" href=\"https:\/\/theflenser.bandcamp.com\/album\/the-unnatural-world\">The Unnatural World<\/a><\/em>. But I\u2019m so glad I did. For a period of time this Spring I found myself digging deep into bands with strong dark wave\/post punk influences. I\u2019m not very knowledgeable when it comes to those genres. Right or wrong, I just hear hints of what I assume dark wave and post punk should sound like in certain bands like Have a Nice Life. I might blindly making incorrect assumptions, but does it matter? Not really. I just know what sounds good to my ears. So somewhere along the way Have a Nice Life showed up at the party and struck a chord with me. As a result, I discovered something new and expanded my musical palate once more.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=485988476\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3579878776\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/theflenser.bandcamp.com\/album\/the-unnatural-world\">The Unnatural World by Have a Nice Life<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1782\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Body-I-Shall-Die-Here.jpg\" alt=\"The Body - I Shall Die Here\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Body-I-Shall-Die-Here.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Body-I-Shall-Die-Here-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Body-I-Shall-Die-Here-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>04. The Body &#8211;<em> I Shall Die Here<\/em><\/h1>\n<p>Here\u2019s what my friend <a title=\"The Real Aubrey Ingraham - Twitter\" href=\"https:\/\/twitter.com\/Relaxiknwarchie\">Aubrey<\/a> Tweeted after I gushed about the latest offering from <a title=\"The Body\" href=\"https:\/\/www.facebook.com\/pages\/the-body\/334047229514\">the Body<\/a>, <em>\u201cInteresting. Great atmosphere, but too much of a \u2018serial-killer-plodding-dragging-a-dead-body-behind-you\u2019 sound for me.\u201d<\/em> I get where he\u2019s coming from with that comment. Only I\u2019m totally down with the \u2018serial-killer-plodding-dragging-a-dead-body-behind-you\u2019 sound. This is some dark, twisted and dense stuff that perfectly suits guitarist\/vocalist Chip King\u2019s deranged screams. But focusing on the vocals alone really doesn\u2019t do the band justice. Musically speaking they are one of the most unique and original things I\u2019ve heard in a long time. If you consider yourself a true fan of music and have an open mind, I highly recommend checking out <em>I Shall Die Here<\/em>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/140535663&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"80%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1746\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Salems-Pot-...lurar-ut-dig-pa-prarien.jpg\" alt=\"Salem\u2019s Pot - ...lurar ut dig p\u00e5 pr\u00e4rien\" width=\"600\" height=\"597\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Salems-Pot-...lurar-ut-dig-pa-prarien.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Salems-Pot-...lurar-ut-dig-pa-prarien-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Salems-Pot-...lurar-ut-dig-pa-prarien-300x298.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>05. Salem\u2019s Pot &#8211;<em> &#8230;lurar ut dig p\u00e5 pr\u00e4rien<\/em><\/h1>\n<p>Everything is in slow motion. None of them blink. They just stare blankly at you. It\u2019s uncomfortable, but you can\u2019t look away. There\u2019s some sort of ritual happening. This isn\u2019t going to end well. There\u2019s music playing in the background. It\u2019s <em><a title=\"...lurar ut dig p\u00e5 pr\u00e4rien - Salem's Pot\" href=\"https:\/\/salemspot.bandcamp.com\/track\/nothing-hill\">&#8230;lurar ut dig p\u00e5 pr\u00e4rien<\/a><\/em>. Welcome to the coven.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1627810024\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/salemspot.bandcamp.com\/track\/nothing-hill\">Nothing Hill by Salem&#8217;s Pot<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1747\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Wovenhand-Refractory-Obdurate.jpg\" alt=\"Wovenhand - Refractory Obdurate\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Wovenhand-Refractory-Obdurate.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Wovenhand-Refractory-Obdurate-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Wovenhand-Refractory-Obdurate-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>06. Wovenhand &#8211;<em> Refractory Obdurate<\/em><\/h1>\n<p>Each year it seems that I stumble across a small number of artists who don\u2019t quite fit with what I normally listen to. <a title=\"Wovenhand\" href=\"http:\/\/wovenhandmosaic.com\/\">Wovenhand<\/a>, along with <a title=\"Have a Nice Life\" href=\"https:\/\/www.facebook.com\/pages\/Have-A-Nice-Life\/273357312191\">Have a Nice Life<\/a> would be a couple examples of those in 2014. But as many of you know, discovering something new can be a very rewarding experience from a listener standpoint. Which made <em><a title=\"Refractory Obdurate - Wovenhand\" href=\"https:\/\/deathwishinc.bandcamp.com\/album\/refractory-obdurate\">Refractory Obdurate<\/a><\/em> a very refreshing listen and even a little familiar by times. One thing I kept thinking as I listened to is is how much it reminded me of <a title=\"The Cult\" href=\"https:\/\/www.facebook.com\/officialcult\">the Cult\u2019s<\/a> more gothic and psychedelic moments. Which is a little strange because none of these songs really sound like the Cult. I don\u2019t necessarily think Wovenhand is influenced by the Cult either. I think I just wish the Cult would make an album that sounded like this. Something that gave me a stronger sense of appreciation of these well crafted songs and another reason to enjoy them. I really hope someone has played this for Ian Astbury and Billy Duffy.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=999453258\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=153976739\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/deathwishinc.bandcamp.com\/album\/refractory-obdurate\">Refractory Obdurate by Wovenhand<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1748\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Monolord-Empress-Rising.jpg\" alt=\"Wovenhand - Refractory Obdurate\" width=\"600\" height=\"584\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Monolord-Empress-Rising.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Monolord-Empress-Rising-300x292.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>07. Monolord &#8211;<em> Empress Rising<\/em><\/h1>\n<p>There\u2019s two things that are really important to me when it comes to heavy music. Riffs and tone. If you lay down killer riffs that sound amazing, you\u2019ve got me right out of the gate. <a title=\"Monolord\" href=\"https:\/\/www.facebook.com\/monolordsweden\">Monolord<\/a> has both of those things in spades. Lead off track \u201cEmpress Rising\u201d starts with a subtle repetitive riff with a few cymbal flourishes, then one of the most colossal riffs you will ever hear topples over like a brick wall. This continues for the next 47 minutes over five lumbering behemoths\/songs that make up <em><a title=\"Empress Rising - Monolord\" href=\"https:\/\/monolord.bandcamp.com\/\">Empress Rising<\/a><\/em>. This is riff worship of the highest order. Albums like this make me realize why I\u2019m still passionate about music after all these years.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2164642815\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3953390095\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/monolord.bandcamp.com\/album\/empress-rising\">Empress Rising by Monolord<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1749\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Tombs-Savage-Gold.jpg\" alt=\"Tombs - Savage Gold\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Tombs-Savage-Gold.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Tombs-Savage-Gold-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Tombs-Savage-Gold-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>08. Tombs &#8211;<em> Savage Gold<\/em><\/h1>\n<p><a title=\"Tombs\" href=\"https:\/\/www.facebook.com\/TombsBklyn\">Tombs&#8217;<\/a> previous release &#8211; 2011\u2019s <em><a title=\"Path of Totality - Tombs\" href=\"https:\/\/tombsbklyn.bandcamp.com\/album\/path-of-totality\">Path of Totality<\/a><\/em> was an obvious choice for the top spot in my year end list three years ago. I enjoyed the band\u2019s previous output, but on that album the increased focus on their post punk and gothic influences really struck a chord with me and made the <i>Path of Totality <\/i>a stellar listen. On <em><a title=\"Savage Gold - Tombs\" href=\"https:\/\/tombsbklyn.bandcamp.com\/album\/savage-gold\">Savage Gold<\/a><\/em> the band dials those elements back a bit and pushes the heavier aspects if their sound forward. All of which is enhanced by a thicker sound from a production standpoint which gives <i>Savage Gold<\/i> plenty of heft and weight sonically. While not as moody as it&#8217;s predecessor, <em>Savage Gold<\/em> is a more than worthy follow-up.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4212949121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1824561896\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/tombsbklyn.bandcamp.com\/album\/savage-gold\">Savage Gold by Tombs<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1758\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Drones-of-North-America-Self-Titled.jpg\" alt=\"Drones of North America - Self Titled\" width=\"600\" height=\"601\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Drones-of-North-America-Self-Titled.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Drones-of-North-America-Self-Titled-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Drones-of-North-America-Self-Titled-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>09. Drones of North America &#8211; <em>Self Titled<\/em><\/h1>\n<p>For those not in the know, <a title=\"Drones of North America\" href=\"https:\/\/dronesofnorthamerica.bandcamp.com\/\">Drones of North America<\/a> is the new project from ex-<a title=\"Buried Inside\" href=\"https:\/\/buriedinside.bandcamp.com\/\">Buried Inside<\/a> guitarist <a title=\"Andrew Tweedy\" href=\"https:\/\/andrewtweedy.bandcamp.com\/\">Andrew Tweedy<\/a>. While Buried Inside created a dense wall of sound, Drones of North America has more of a sparse, noise rock based approach which Tweedy\u2019s playing (and now singing) is perfectly suited for. There are still some familiar sounds that link back to his previous band, such as the tension that builds throughout \u201cExit Through the End\u201d. Fans of Tweedy\u2019s previous output and current Canadian noise rock ambassadors <a title=\"ken MODE\" href=\"http:\/\/www.ken-mode.com\/\">KEN mode<\/a>, will find lots to dig into here. Here\u2019s hoping we hear and see lots more from these guys in 2015.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2812076240\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=981106643\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/dronesofnorthamerica.bandcamp.com\/album\/self-titled\">Self Titled by Drones of North America<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1753\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Lantlos-Melting-Sun.jpg\" alt=\"Lantl\u00f4s - Melting Sun\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Lantlos-Melting-Sun.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Lantlos-Melting-Sun-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Lantlos-Melting-Sun-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>10. Lantl\u00f4s &#8211;<em> Melting Sun<\/em><\/h1>\n<p>This year saw <a title=\"Lantl\u00f4s\" href=\"https:\/\/www.facebook.com\/lantlos\">Lantl\u00f4s<\/a> take a giant step back from their black metal influences. Which is something I had mixed feelings about initially. I\u2019ve always been a fan of the contrasting styles on their previous two albums where black metal rubbed shoulders with dream-pop, shoegaze and post rock. So with such a prominent element of their sound being muted, what would the results be like? Pretty damn good actually. With the focus shifted more to the less heavy aspects of their sound it\u2019s still Lantl\u00f4s, but just with slightly different shades and stokes. I still miss the touches of black metal. But <em>Melting Sun<\/em> proves that was just one small part of what helped make up the band\u2019s eclectic DNA.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/154201526&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"80%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1750\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Picturebooks-Imaginary-Horse.jpg\" alt=\"The Picturebooks - Imaginary Horse\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Picturebooks-Imaginary-Horse.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Picturebooks-Imaginary-Horse-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Picturebooks-Imaginary-Horse-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>11. The Picturebooks &#8211;<em> Imaginary Horse<\/em><\/h1>\n<p>I\u2019m still a little bothered by the lack of cymbals in this band. But despite my skepticism going in and wondering how a drummer with no cymbals was going to hold my attention for an entire album, <a title=\"the Picturebooks\" href=\"http:\/\/www.thepicturebooks.com\/\">the Picturebooks<\/a> quickly put me in my place. After taking the initial plunge, I couldn\u2019t stop listening to <em>Imaginary Horse<\/em>. This two piece from Germany pound and stomp out one hell of an infectious batch of blues driven songs. They even find other creative ways to make up for the lack of cymbals. See guitarist Fynn Claus Grabke\u2019s boot in the <a href=\"http:\/\/youtu.be\/9Z2q-7-SqD0\">\u201cYour Kisses Burn Like Fire\u201d<\/a> video for proof. I\u2019m officially a convert. Fuck cymbals.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/169932220&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"80%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1754\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Eyehategod-Eyehategod.jpg\" alt=\"Eyehategod - Eyehategod\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Eyehategod-Eyehategod.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Eyehategod-Eyehategod-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Eyehategod-Eyehategod-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>12. Eyehategod &#8211;<em> Eyehategod<\/em><\/h1>\n<p>There\u2019s been lots of talk over the last year or two about the comeback albums from the likes of <a title=\"Carcass\" href=\"https:\/\/www.facebook.com\/OfficialCarcass\">Carcass<\/a> and <a title=\"At the Gates\" href=\"https:\/\/www.facebook.com\/AtTheGatesOfficial\">At the Gates<\/a>. Obviously the former received a ton of praise last year and the latter looks to be getting the same this year. That\u2019s all well and good, but being a fan of all things thick, slow and drenched in feedback, I\u2019m way more interested in <a title=\"Eyehategod\" href=\"https:\/\/www.facebook.com\/OfficialEyeHateGod\">Eyehategod\u2019s<\/a> first album in 18 years than anything you would file under grind or death metal. Despite having to overcome everything from natural disasters, jail, death and drug addiction, they\u2019ve made one of the best albums of their long career. Here\u2019s hoping we don\u2019t need to wait another 18 years for it\u2019s follow-up.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1819170029\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/eyehategod.bandcamp.com\/track\/robitussin-and-rejection\">Robitussin and Rejection by EyeHateGod<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1751\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Electric-Citizen-Sateen.jpg\" alt=\"Electric Citizen - Sateen\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Electric-Citizen-Sateen.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Electric-Citizen-Sateen-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Electric-Citizen-Sateen-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>13. Electric Citizen &#8211; <em>Sateen<\/em><\/h1>\n<p>Music made in the 1970\u2019s just sounds better. The songs, the production, the lack of bullshit. Bands knew something back then. Unfortunately this seems to be lost on many artists today. Thankfully <a title=\"Electric Citizen\" href=\"http:\/\/electriccitizenband.com\/\">Electric Citizen<\/a> don\u2019t fall into that category. I have no idea what inspired the band when making <em><a title=\"Sateen - Electric Citizen\" href=\"https:\/\/electriccitizenband.bandcamp.com\/\">Sateen<\/a><\/em>, but from front to back these 10 tracks are infectious, riff driven, psychedelia at it\u2019s best. The icing on the cake comes when vocalist Laura Dolan lays down her gritty, soulful wail. However <em>Sateen<\/em> came to be, Electric Citizen definitely is doing something right. Pay attention to this band, you might learn something.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/134373792&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"80%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1756\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Boris-Noise.jpg\" alt=\"Boris - Noise\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Boris-Noise.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Boris-Noise-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Boris-Noise-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>14. Boris &#8211;<em> Noise<\/em><\/h1>\n<p>Despite being a long time fan of <a title=\"Boris\" href=\"https:\/\/www.facebook.com\/borisheavyrocks?fref=ts\">Boris<\/a>, I\u2019ve drifted away from them over the past few years. The band has always been ambitious in terms of both their output of albums as well as the many styles they cover. Not all of which have really hit the spot for me recently. So I was kind of indifferent about <em><a title=\"Noise - Boris\" href=\"https:\/\/boris.bandcamp.com\/album\/noise\">Noise<\/a><\/em> initially. But leading up to it\u2019s release I started to hear lots of praise for it and many were comparing it to their critically acclaimed 2005 album <i>Pink<\/i>. So naturally I was interested in checking it out. <i>Noise<\/i> doesn\u2019t necessarily sound like <em>Pink<\/em>, but it\u2019s similar in that it\u2019s a very focused album where Boris set their targets on a style they are really good at. Most of the songs are pretty straight forward, full of heavy riffing and are pretty accessible. If you have yet to see what all the fuss about Boris is about, <em>Noise<\/em> is a great starting point.<\/p>\n<p>Of course I can\u2019t write this without mentioning album centerpiece <a href=\"https:\/\/boris.bandcamp.com\/track\/angel\">\u201cAngel\u201d<\/a>. At close to nineteen minutes, the song has a slow, subtle build that gets strong momentum around the eight minute mark courtesy of a jaw dropping solo laid down by guitarist Wata. That alone is worth the price of admission.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1631154234\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3004718723\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/boris.bandcamp.com\/album\/noise\">Noise by BORIS<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1786\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Sterilizer-Sterilizer.jpg\" alt=\"Sterilizer - Sterilizer\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Sterilizer-Sterilizer.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Sterilizer-Sterilizer-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Sterilizer-Sterilizer-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>15. Sterilizer &#8211;<em> Sterilizer<\/em><\/h1>\n<p>There\u2019s lots to take in while these eight tracks abuse your speakers. The most obvious being a strong industrial influence, but to call <em><a title=\"Sterilizer\" href=\"https:\/\/sterilizer.bandcamp.com\/album\/sterilizer\">Sterilizer<\/a><\/em> industrial would be misleading to say the least. The sharp, mechanical tone of the riffs and pulsing programmed drums make a logical connection with the likes of <a title=\"Skinny Puppy\" href=\"https:\/\/www.facebook.com\/OfficialSkinnyPuppy\">Skinny Puppy<\/a> and vintage <a title=\"Ministry\" href=\"https:\/\/www.facebook.com\/Ministry\">Ministry<\/a>. But repeat listens reveal layers of dark electronic elements and noise influences that make <a title=\"Sterilizer\" href=\"http:\/\/www.expiringsun.com\/\">Sterilizer<\/a> far from just another industrial project. What\u2019s most impressive is how addictive these songs are despite their harshness and intensity. Make sure you know where the repeat button is. You\u2019ll be looking for it when playing this.<\/p>\n<p><iframe style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3703617121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=747430970\/transparent=true\/\" seamless><a href=\"http:\/\/sterilizer.bandcamp.com\/album\/sterilizer\">Sterilizer by Sterilizer<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1761\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Well-Samsara.jpg\" alt=\"The Well - Samsara\" width=\"600\" height=\"597\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Well-Samsara.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Well-Samsara-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Well-Samsara-300x298.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>16. The Well &#8211;<em> Samsara<\/em><\/h1>\n<p>Joining five other artists from the <a href=\"http:\/\/ridingeasyrecords.com\/\">Riding Easy Records<\/a> roster (Salem&#8217;s Pot, Monolord, The Picturebooks and Electric Citizen) on this list is Austin, Texas\u2019 <a title=\"The Well\" href=\"http:\/\/www.thewellband.com\/\">the Well<\/a>. Connoisseurs of stoner, doom and psych already know the name Riding Easy equals quality and on the Well\u2019s debut full length they definitely hit the high mark set by their peers. If you appreciate massive riffs played, lots of low end and a drummer who knows how to lay down a killer groove, then sign up to the Riding Easy Support Crew and get yourself a copy of <em><a title=\"Samsara - The Well\" href=\"http:\/\/ridingeasyrecords.com\/product\/well-samsara\/\">Samsara<\/a><\/em>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/160808095&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"80%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1745\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/DZ-Deathrays-Black-Rat.jpg\" alt=\"DZ Deathrays - Black Rat\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/DZ-Deathrays-Black-Rat.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/DZ-Deathrays-Black-Rat-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/DZ-Deathrays-Black-Rat-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>17. DZ Deathrays &#8211;<em> Black Rat<\/em><\/h1>\n<p>Despite comparisons made by me in the past, <a title=\"DZ Deathrays\" href=\"http:\/\/dzdeathrays.com\/blackrat_ca.html\">DZ Deathrays<\/a> is no clone of a certain Canadian bass\/drum duo with a fondness for elephants. Yes, there are some similarities, but on <em>Black Rat<\/em> the band has taken a huge step forward, expanded their sound, honed their craft and established a sound they can lay claim to. Lots of ground is covered here, but at no point does the album sound disjointed. It&#8217;s this willingness to experiment and introduce new styles that make <em>Black Rat<\/em> one of the best alt rock albums you\u2019re going to hear all year. They also know a thing or two about making <a title=\"DZ Deathrays - Reflective Skull\" href=\"http:\/\/youtu.be\/h0ePGBdnZ3c\">music videos<\/a>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/160627570&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"80%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1788\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Mono-The-Last-Dawn.jpg\" alt=\"Mono - The Last Dawn\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Mono-The-Last-Dawn.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Mono-The-Last-Dawn-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Mono-The-Last-Dawn-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1789\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Mono-Rays-of-Darkness.jpg\" alt=\"Mono - Rays of Darkness\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Mono-Rays-of-Darkness.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Mono-Rays-of-Darkness-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Mono-Rays-of-Darkness-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>18. Mono &#8211; <em>The Last Dawn\/Rays of Darkness<\/em><\/h1>\n<p>I\u2019ve had a bit of a love\/hate relationship with <a title=\"Mono\" href=\"http:\/\/www.monoofjapan.com\/en\/new-albums\/\">Mono<\/a> over the years. Actually, I don\u2019t hate anything they have done per say. I just find my mind wandering occasionally during some of the quieter portions of their songs. Take 2002\u2019s <em><a href=\"https:\/\/monoofjapan.bandcamp.com\/album\/one-step-more-and-you-die\">One More Step and You Die<\/a><\/em> for example. Right out of the gate they&#8217;ve got me with <a href=\"https:\/\/monoofjapan.bandcamp.com\/track\/com\">\u201cCom(?)\u201d<\/a>. But when they let off the distortion and feedback I start to lose interest. So it\u2019s been a while since I\u2019ve checked out a new Mono album. However I\u2019m very glad I decided to give their two new albums <em>The Last Dawn<\/em> and <em>Rays of Darkness<\/em> a listen. Instead of my attention wandering, I found myself immediately being pulled in by these 10 sprawling post rock tracks. The subtle moments all suit a purpose and help create a stronger impact when things ramp up. Nothing drags or tempts me to start scrolling through my iPod to find something else. Instead when the \u201cThe Last Rays\u201d winds things down, I go back to for another round. These albums snuck in late in 2014, but it was pretty obvious that Mono made some of the best music you\u2019re going to hear from this past year.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/167896893&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"80%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1801\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Bug-Angels-and-Devils.jpg\" alt=\"The Bug - Angels and Devils\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Bug-Angels-and-Devils.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Bug-Angels-and-Devils-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/The-Bug-Angels-and-Devils-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>19. The Bug &#8211;<em> Angels &amp; Devils<\/em><\/h1>\n<p>Even though traditional guitar\/bass\/drums don\u2019t play a prominent role in <a title=\"The Bug\" href=\"https:\/\/www.facebook.com\/thebugofficialpage\">the Bug\u2019s<\/a> music, much of what appeals to me when listening to <em>Angels &amp; Devils<\/em> hits on the same aspects of the doom, stoner and metal albums on this list. These dubbed out tracks may be composed using keyboards, drum machines, computers and samplers, but they are still heavy and resonate a level of density which could sit comfortably beside anything from the Body\u2019s discography. To provide a bit more context for those not familiar with the Bug, but have stumbled across Snare\u2019s <em><a title=\"Snares - Sabbath Dubs\" href=\"http:\/\/www.heretodestroy.com\/blog\/2011\/04\/04\/venetian-snares-vs-black-sabbath\/\">Sabbath Dubs<\/a><\/em>, picture that but with an eclectic mix of vocalists\/MCs spread over an entire album of original tracks instead of giving <a title=\"Black Sabbath\" href=\"http:\/\/www.blacksabbath.com\/\">Black Sabbath<\/a> the Space Eco treatment.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/39350978&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"80%\" height=\"350\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1762\" src=\"http:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Wolvhammer-Clawing-Into-Black-Sun.jpg\" alt=\"Wolvhammer - Clawing Into Black Sun\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Wolvhammer-Clawing-Into-Black-Sun.jpg 600w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Wolvhammer-Clawing-Into-Black-Sun-290x290.jpg 290w, https:\/\/www.heretodestroy.com\/blog\/wp-content\/uploads\/2014\/12\/Wolvhammer-Clawing-Into-Black-Sun-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h1>20. Wolvhammer &#8211;<em> Clawing Into Black Sun<\/em><\/h1>\n<p>I was going to talk about how <a title=\"Wolvhammer\" href=\"https:\/\/www.facebook.com\/Wolvhammer\">Wolvhammer<\/a> infused a new-found sense of groove to their already well respected blackened template. But then I wandered over to the <a title=\"Clawing Into Black Sun - Wolvhammer\" href=\"https:\/\/profoundlorerecords.bandcamp.com\/album\/clawing-into-black-sun\">Profound Lore Bandcamp<\/a> page and saw what <a title=\"Mike from Ireland\" href=\"https:\/\/bandcamp.com\/Loud-Quiet-Loud\">Mike from Ireland<\/a> had to say about <em><a title=\"Clawing Into Black Sun - Wolvhammer\" href=\"https:\/\/profoundlorerecords.bandcamp.com\/album\/clawing-into-black-sun\">Clawing Into Black Sun<\/a><\/em>, <em>\u201cThere&#8217;s ne&#8217;er a superfluous nanosecond to be found on Wolvhammer&#8217;s gloriously wicked blackened sludge manifesto. Demonic incursion strategies salvaged from the gravitational collapse of the morning star.\u201d<\/em> Sold? I thought so.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 80%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3441849153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2919288731\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/profoundlorerecords.bandcamp.com\/album\/clawing-into-black-sun\">Clawing Into Black Sun by WOLVHAMMER<\/a><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I had a really hard time narrowing down what my top album would be when putting this list together. I know; I say that every&#8230;<\/p>\n","protected":false},"author":3,"featured_media":1737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,11],"tags":[339,338,323,345,351,348,320,346,163,344,354,342,349,212,341,352,340,347,350,220,353,343],"class_list":{"0":"post-1731","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music-news","8":"category-recommended-listening","9":"tag-an-unending-pathway","10":"tag-atriarch","11":"tag-boris","12":"tag-drones-of-north-america","13":"tag-dz-deathrays","14":"tag-electric-citizen","15":"tag-have-a-nice-life","16":"tag-lantlos","17":"tag-mono","18":"tag-monolord","19":"tag-riding-easy-records","20":"tag-salems-pot","21":"tag-sterilizer","22":"tag-the-atlas-moth","23":"tag-the-body","24":"tag-the-bug","25":"tag-the-old-believer","26":"tag-the-picturebooks","27":"tag-the-well","28":"tag-tombs","29":"tag-wolvhammer","30":"tag-wovenhand"},"_links":{"self":[{"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/posts\/1731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/comments?post=1731"}],"version-history":[{"count":0,"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/posts\/1731\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/media\/1737"}],"wp:attachment":[{"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/media?parent=1731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/categories?post=1731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.heretodestroy.com\/blog\/wp-json\/wp\/v2\/tags?post=1731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}