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I Mother Earth Live 2012

Living in Nova Scotia means it’s pretty common to miss out on good shows. Time after time I say I’m going to fly or drive somewhere far away to catch a band I like. But for whatever reason, I usually end up not going.

Last week I finally made an exception and I flew to Toronto to see I Mother Earth. You may not know this, but I Mother Earth had been on a hiatus for the past eight plus years. Then this winter/spring rumors started surfacing that they were getting back together. Eventually the band confirmed the news and announced they would be playing a single show (which ended up being two shows), with no master plan or immediate promise of what was to come next.

Right away I knew I had to go. Not so much because I thought I would miss my chance to see them again. But mainly because I knew if there were to be more shows, more music – more IME, that anyone who ever gave a shit about this amazing band needed to be there and show their support. So myself and many others ended up traveling from all over Canada to attend the shows.

I don’t think I can do any justice in describing the show. I have a very limited vocabulary when it comes to new and creative ways to say something kicked ass. But it was hands down the best I Mother Earth show I have ever seen. Which says a lot, considering I’ve seen them around a dozen times. Everything from the selection of songs played, tightness of the band, enthusiasm of the audience – was damn near perfect. I knew I experienced something great as I left the venue that night. But it actually wasn’t until a day or two later that I realized just how great. The best shows I have seen in my life have been the ones where you can’t stop smiling the next day and thinking to yourself, “That was fucking awesome!” I’ve been smiling and swearing to myself a lot this past week.

From all accounts I’m not the only one who feels this way. Go talk to anyone else who was there, check out some videos from the show or read what guitarist Jagori Tanna had to say a few days later. To put it simple – it went well. Very well.

We Got the Love

When the band announced they were returning from their hiatus, they also let the world know new music would be coming as well. The first of that new music is a new song titled “We Got the Love” which was posted online days before the Toronto shows.

I was a little surprised when I first heard the track. I immediately liked it, but wasn’t expecting it to be so, well… infectious. Their last album, The Quicksilver Meat Dream was one of the most ambitious things they recorded and as much as I love it, I wouldn’t call it an overly commercial or infectious album (not a bad thing). But aside from being almost six minutes long, “We Got the Love” sounded very “radio friendly” for lack of a better term. However, things aren’t always what they seem.

“We Got the Love” is not AFS (another fucking single). “We Got the Love” is the sound of a band that is comfortable with who they are, what they have done and what they are capable of. It’s the sound of a band that has the confidence of doing something because they want to and for no other reason. All of which goes a long way in explaining how the first new music from the band in nearly ten years is not some nine minute, multi-part, prog-rock opus. But rather it’s something simple on the surface, with many subtle layers that after repeat listens expose themselves and remind everyone just what made I Mother Earth stand high above their peers in the first place. Simply put, it’s a damn good song.

Download “We Got the Love” by I Mother Earth
(MP3 320 KBPS & WAV 24 BIT/48 KHZ)

“We Got the Love” is available now for download in high quality MP3 and WAV formats on I Mother Earth’s website. If you like the track, support the band so we get to hear more and spread the word. Good music deserves to be heard.

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KEN mode

Kyuss Lives!

Ghost

Enslaved

Kampfar

The other night I happened to stumble upon a painting that KEN mode added to their Facebook page by Norwegian artist Kim Holm. I was immediately impressed at how he managed to capture the intensity of the band’s live show. I could have randomly stumbled across the painting anywhere and known right away it was KEN mode.

After reading a little further I learned that Kim painted while the band played live during their recent overseas tour. Which is actually something he does quite frequently. Having done the same for Watain, Ghost, Entombed, Enslaved and Kvelertak to name just a few.

Shown above are just a handful samples from the over 350 that currently appear on his website. It was extremely hard to choose just a few – they all are extremely well done. So be sure to head over and browse through the rest of his work. It will be time well spent.

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Just in case you weren’t there, Kylesa was amazing when they played in Halifax this fall. One of the best live shows I’ve seen in years.

Their latest, Spiral Shadow was number three on my top 20 list of 2010 and is still getting serious airplay around these parts. Highly recommended stuff. Go gets some now.

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Kyuss Lives

I saw Queens of the Stone Age once. It was a great show, however it paled in comparison to what I saw just a mere two hours later that same evening. A local band called the Broken Ohms played a full set of Kyuss covers. Yeah, that’s right. Covers. And it blew my mind. As far as I was concerned, I was seeing Kyuss. The switch in my brain flicked off and all that mattered was these dudes in front of me were playing “Supa Scoopa & Mighty Scoop” and I was there. Pure magic, plain and simple.

So what could possibly trump that? How about three quarters of the original Kyuss line-up reforming?

John Garcia, Brant Bjork and Nick Oliveri, along with newcomer Bruno Fevery have resurrected Kyuss under the moniker Kyuss Lives. The band has a string of tour dates already lined up and have even hinted at the possibility of new music. Obviously the one missing piece of the puzzle would be Kyuss/QOTSA guitarist Josh Homme, which would be the reason for not rolling things out under the official Kyuss name. John Garcia has stated that without Josh, there will never be a Kyuss reunion.

Naturally I kind of wish it was all four original members, but if you read the first paragraph of this post, it’s safe to assume I’m not hard to please when it comes to getting a dose of Kyuss.

So far there aren’t any North American dates. But I’ll warn my wife now, if that changes, I will be going to one of those shows.

Also, check out the homemade Kyuss shirts my friend James and I made for the above mentioned QOTSA show. I am very confident we were the only two in attendance rocking these styles.

Kyuss Shirt

Kyuss Shirt

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Good news. Despite what the name Destination Tokyo Tour may imply, my friend Robert Squire AKA PrisonGarde, along with Lunice, Ango and Jacques Greene are in fact touring across Canada as I type this. So if you do in fact live in Canada and not Tokyo, here is when and where you can catch them:

Thursday, February 17 – Winnipeg, MB – Ozzy’s
Friday, February 18 – Golden, BC – The RockWater
Sunday, February 20 – Fernie, BC – Bulldog’s
Tuesday, February 22 – Banff, Alberta – HooDoo
Wednesday, February 23 – Calgary, Alberta – HiFi
Thursday, February 24 – Edmonton, Alberta – The Common
Friday, February 25 – Saskatoon, SK – Scratch Club
Saturday, February 26 – Whistler, BC – The Village
Sunday, February 27 – Vancouver, BC – The Waldorf
Monday, February 28 – Victoria, BC – Touch Lounge
Wednesday, March 2 – Kamloops, BC – The Commodore
Thursday, March 3 – Kelowna, BC – Doc Wiloughby’s
Friday, March 4 – Quebec City, QC – Le Cercle
Saturday, March 5 – Ottawa, ON – Ritual Nightclub
Sunday, March 6 – Toronto, ON – WrongBar
Monday, March 7 – Halifax, NS – Tribeca
Tuesday, March 8 – Montreal, QC – Le Belmont

Check out the video above to see a little of what PrisonGarde will be packing. Then get out and show some love for these crazy dudes who are not afraid of the Canadian winter. You can also read about their travels over at the tour blog.

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Instruments

I didn’t tell you about Instruments yet did I? Okay, then how does this sound? Experimental math-rock with a healthy dose of Pink Floyd ambiance, layered with electronic flourishes and built on a foundation of breakbeat influenced drumming. Still here? Thought so. Did I also mention it’s all bundled up with production that would make Steve Albini proud? But wait, there’s more good news. Over the past few months the band has posted three new singles on their website – all free to download.

The most recent being a re-recording of the song “Clock” from their National Laboratory album. The other two singles, “Reciting Another Man’s Mantra at the Museum of Science While Down the Hall the Library Door is Surreptitiously Unlocked” and “10 Chains” are both brand new compositions.

Have a listen to “Clock” below, then head over to Instrumentslab.com to download all three. You will also find links to purchase their two albums National Laboratory and Nominal. I highly recommend both and they are available in a number of formats including 12″ vinyl with a CD. Or if you want to keep it digital, there’s an option to download them as well.

Instruments – “Clock” (MP3 – 05:31)

Also, if you pitch your tent anywhere near the east coast of Canada, the band will be playing a handful of shows in Nova Scotia, New Brunswick, Prince Edward Island in mid- February. Check the live dates section on their site for more info.

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It’s no secret that I love Guns N’ Roses. But one thing you may not know is that I consider “It’s So Easy” to be the most bad ass song ever recorded. It’s got some of the best vocals Axl ever laid to tape, punk as hell and the lyrics are dripping with attitude. When you were hearing this for the first time as a 13 year old in 1987, you knew why they were the most dangerous band in the world.

I had the chance to see GN’R the other night. My wife was in full on bootlegger mode and got some great footage of the band laying down “It’s So Easy”. She even managed to get a few seconds of me schooling the crowd on how to rock around the 2:40 mark.

Enjoy the video and go check out the original. I may even lend you my Appetite for Destruction cassette if you ask nice.

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Buried Inside

I live in the woods. Therefore I usually have an hour plus drive on my hands to get home after checking out some live music. I don’t mind that, but sometimes it would be nice to be a little closer to the action. Well, a couple of evenings ago I was.

Buried Inside just did a tour through Atlantic Canada and decided to hit a basement that happened to be 10 minutes from my house. This would be my second time seeing the band. The first was in a slightly larger venue, but still a rather intimate setting. At that show, they shut all the lights out and played in complete darkness. They did the same this time, but being in a room the size of my kitchen and having roughly 15-20 people in attendance, made it a very unique setting. Pretty much like seeing them at my own house. Only without the inconvenience of neighbours complaining,  or a bunch of strangers hanging around.

The set mainly consisted of songs from Spoils of Failure. Which was fine by me. Through repeat listens over the past few weeks, it’s greatness has been revealing itself layer by layer. Definitely some highly recommended next level shit.

The band is headed to Europe soon with Relapse label mates Tombs. If you live across the ocean or anywhere else they happen to be playing in the near future, go see them now.

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I admit it. I like having this Internet thing sitting here, ready to give me whatever I want. It has been an amazing tool for allowing me to discover and access new music. But in some ways I miss how things used to be.

Case in point, the release of Guns N’ Roses Chinese Democracy this month. I should be extremely excited about it. Excited like I was in 1991 waiting for the release of Use Your Illusion I and II. But I’m not. I’m not excited because I know practically everything about Chinese Democracy and have heard most of it before buying it.

Yeah I know, seems like a dumb thing to say. People download entire albums before their release date all the time now. I’ve done it myself. But this time it’s supposed to be different.

I want to count down the months, weeks, days and hours until the release date. I want to rush to the record store on the day the album comes out. I want to have no idea what the artwork will look like until I pick it up. I want to hear it for the first time not knowing what to expect. I don’t need these things for every new album I’m looking forward to. It would just be nice to experience them again occasionally.

But it’s different now and I wouldn’t change things even if I could. The same tool that ruined the experience of buying a new album, also gave me a chance to hear what I may never have had the chance to buy. For all I knew Chinese Democracy never was going to come out. Leave it to Axl Rose to actually do what everyone thought he never would.

So on November 23rd I will know what the artwork for the new Guns N’ Roses album will look like and I will have heard nine of it’s fourteen songs. But I’ll still be there to buy Chinese Democracy the day it comes out. It won’t be the same. But as much as everything has changed, some things about me never will.

For those who care or might even have this on a shitty VHS tape from when it aired on MuchMusic or MTV back in 1988, here’s Guns N’ Roses live at the Ritz in New York:

  1. It’s So Easy
  2. Mr. Brownstone
  3. Out Ta Get Me
  4. Sweet Child O’ Mine
  5. My Michelle
  6. Knockin’ on Heaven’s Door
  7. Welcome to the Jungle
  8. Nightrain
  9. Paradise City
  10. Mama Kin
  11. Rocket Queen

Download Guns N’ Roses – Live at the Ritz, New York 1988 (zip-91mb)

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Trigger Effect

It’s official. Montreal’s Trigger Effect rule.

I was out to check out Iron Giant on the weekend, but it was Trigger Effect’s set that totally floored me. Normally my tastes tend to lean toward slow, thick heaviness rather than brute force. But I’ll always have a soft spot for a fast, in your face live show and Trigger Effect brought that big time.

Ceilings were punched, projectiles were thrown and the line between the stage and dance floor was non-existent.

I picked up their full length Dare to Ride the Heliocraft before leaving and guess what? It’s damn near as good as their live show.

Go listen to this band or see them live now.

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